Development action with informed and engaged societies
After nearly 28 years, The Communication Initiative (The CI) Global is entering a new chapter. Following a period of transition, the global website has been transferred to the University of the Witwatersrand (Wits) in South Africa, where it will be administered by the Social and Behaviour Change Communication Division. Wits' commitment to social change and justice makes it a trusted steward for The CI's legacy and future.
 
Co-founder Victoria Martin is pleased to see this work continue under Wits' leadership. Victoria knows that co-founder Warren Feek (1953–2024) would have felt deep pride in The CI Global's Africa-led direction.
 
We honour the team and partners who sustained The CI for decades. Meanwhile, La Iniciativa de Comunicación (CILA) continues independently at lainiciativadecomunicacion.com and is linked with The CI Global site.
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Strategies for Playbuilding: Helping Groups Translate Issues Into Theatre

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SummaryText
Author Will Weigler brings more than twenty years of experience with urban and rural theatre companies to the development of this award-winning text, winner of the 2002 Distinguished Book Award of the American Alliance for Theatre and Education. The introduction's opening sentence summarises the book's intent: To offer "...the reader a practical, step-by-step approach to helping a group of young people collaboratively investigate the issues that concern them and turn their perceptions into a script, song lyrics, or choreography".

The book is divided into five chapters that explain the playbuilding process from the first meeting with participants through to the actual performance. Chapter headings include Developing an Ensemble and Building Skills; Identifying and Investigating the Topic; Building Dialogue, Lyrics and Choreography; Weaving Individual Performance Pieces into a Show; and Rehearsing and Performing.

Every chapter suggests what to do and then explains why this approach is helpful or a necessary step. Checklists and worksheets are included within the chapters and appendices; for example, a skills inventory, process checklist, and participant contract, among others.

The step-by-step approach emphasises collaborative learning at every stage. “The methodology is not designed just for kids. Adults looking for ways to examine and animate the dialogues about issues facing their community will find in these exercises an exciting alternative to more conventional discussion formats”. The book's techniques aim to provide non-threatening ways to discuss and analyse sensitive themes such as prejudice, sexual orientation, ageism, etc.

Although the text was not specifically written for an international audience, multicultural examples are provided. Chapter three includes nine diverse “pieces” that the author has helped to facilitate from the process stage to the final production. Expensive props or special effects are not relied upon to reach the audience. Most of the “tools” suggested can be obtained or adapted for a low-budget context. An extensive list of possible tools is detailed in Appendix A.

According to the author, this book is appropriate for community theatre, schools, and religious groups, and can be adapted for the international health and development context.

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Number of Pages
144