Centre 4 TV Medical Drama
The drama communicates messages about how to lead a healthier life by following the life-and-death challenges experienced by Ugandan characters. Based in a semi-rural health centre, the drama explores issues like HIV/AIDS, malaria, safe childbirth, and childhood immunisation. In the first episode of the 13-part series, the staff of fictional Konaweeka Health Centre are taken by surprise when the new doctor-in-charge turns out to be a woman. A central message of this episode is the importance of preventing malaria during pregnancy by taking anti-malarial drugs and sleeping under insecticide-treated bed nets. In another episode, the handsome lab technician solves the source of a Cholera outbreak in Konaweeka market, and the health centre staff join with community leaders to halt transmission through a hand-washing campaign. Synopses of all 13 episodes are available by clicking here.
Centre 4 was produced in Uganda with a Ugandan cast and crew working in partnership with a small production team from England. From programme concept to scriptwriting and direction, the project was an apprenticeship for Ugandan talent. The intention was to establish TV drama production expertise in Uganda so that future productions can be carried out independently.
Mediae was contracted by John Hopkins to write, produce and deliver the series. This included running the script writing exercise and proviing key inputs to creating the finailsed scripts. Mediae also employed and managed the principal production team and were contracted to write the scripts, produce the videos including filming and editing, and produce the final video series. The initial design began in May 2001 with a TV Series Design Workshop for representatives of the Uganda Ministry of Health (MOH) and other health organisations. Message strategies for each episode were based on audience research. The workshop resulted in the message content and background for each of the episodes, and the overall creative concept of basing the series around the staff working in a semi-rural Ugandan health centre.
In September and October 2001, flyers publicising Centre 4 were distributed to major television, video, and stage production houses in Uganda, calling for video production talent to apply for training positions as scriptwriters, directors, sound recordists, camera-persons, editors, and production managers. In October 2001, a 5-day workshop was held to develop profiles of the main characters, settings, and overall storylines for the series, followed by a two-week workshop to develop plot outlines for each of the 13 programmes. The three Ugandan scriptwriters participated throughout, and were teamed up with health content specialists from the MOH and the DISH II project. Writing of the series took place during November and December 2001; these scripts were revised in January and February 2002. Filming began in February 2002 and continued through May 2002, in Jinja.
Health, HIV/AIDS, Immunisation & Vaccines, Youth.
Centre 4 has a potential viewership of 110 million in Uganda and many others in 20 additional African nations.
DISH II was initiated to improve the quality, availability, and utilisation of reproductive, maternal, and child health services, and to enhance public health attitudes, knowledge, and practices in Uganda. The programme was implemented in 12 of the country's 56 districts Kampala, Jinja, Kamuli, Masindi, Nakasongola, Luwero, Masaka, Rakai, Sembambule, Mbarara, Ntungamo and Kasese.
Centre 4 was a collobaration between Mediae and JHU/CCP.DISH II is a partnership between the MOH and a group led by JHU/CCP that included the University of North Carolina Program in International Training and Health (INTRAH), Management Sciences for Health (MSH) and the Johns Hopkins Program for International Education in Reproductive Health (JHPIEGO). The U.S. Agency for International Development (USAID) and the Ford Foundation provided financial support.
Comments
This document has purposefully reduced the contribution of Mediae who were contracted to write the scripts, identify and employ all the Ugandans who subsequently worked on the production. It was Mediae who secured the funding from Ford Foundation to support the production. The small UK team were all employed by Mediae and they consisted of the Producer of the whole production, Script Editor, Directors x 2, cameraman and Soundman. In addition we identified and the trainees and all the actors and principal crew and employed further key production members from Kenya including Lighting, engineers, Make up and continuity.
There were a few employees working on the production employed by John Hoppkins but none as the principal crew or in any creative position.
Media ran the script writing exercise and provided the key inputs to creating the finailsed edited scripts despite Johns Hopkins advisors who had no idea what was needed. Mediae employed and managed the principal production team and were contracted to Write the scripts, Produce the videos including Filming and Editing the videos and produce the final video series. We were responsible for the entire edit, music, and final graphics. It is completely dishonest and frankly inexcusable for John Hopkins to represent the work as their own and to minimise the work of many others who were actually responsible for 90% of the production activity . To say the Mediae company "also particiupated in the production" is ridiculous. Mediae was responsible and contracted to Write, Produce and Deliver the whole series for John Hopkins.
Finally it was only through our efforts that a new NGO managed by trainees we trained are now making quality video using equipment and funds provided by Ford for the Centre 4 series.
We would request a letter of correction please before you proceed any further and we would wish to agree wording on publicity material if you intend to continue misrepresenting Mediae's extensive contribution to Centre 4 and in support of Johns Hopkins
Centre 4 tv medical soap.
As one of the two British writers working with the Unganda 'trainees', I wish to say that it was one of the most satisfying aand pleasant writing jobs I have ever had. The young Ugandan writers were great fun to be with and the sessions brimmed over with enthusiasm, creativity and laughter.
Centre 4 Was certainly a hit for those of us who worked on it. It is also a credit to Unganda and her writers and actors.
Bob Forrest-Webb
eye catching
the drama was/is an absolute eye catch. i wish it was a continuous drama month after month... it would be by now, the #1 afrcan drama .. probably wiht the biggest number of viewers.. thank you to all sponsors. Meddie Nnyanzi
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